On the passing of Les Paul last week, I asked Vess if he would write a little something for the site. I knew that Les played a pivotal role in Vess' musical development and that there would be no person better to document his influence as a player and innovator on behalf of Indiana music. What follows are his words.
"Last Wednesday Les Paul died. The radio and TV stations said all the predictable facts about Les’ illustrious career as guitar hero, guitar innovator, inventor, and hit maker. To me, he was a liberator. I fell for Les and his music sometime in the early 90’s. My good friend Paul Mahern had a ‘how high the moon’ 45 and the magical sounds transfixed me. Soon I was listening to only Les and Mary.
Up to that point I had written songs but they always came out sounding a bit like whatever band I was listening to at the time. To fix this I decided to stop listening to all contemporary music and only listen to records that pre-dated rock and roll. This way, if I wanted to hear a new song, I had to write it. Les Paul made this experiment easy, as I began collecting his records and CDs I also started noticing his recording’s overt originality. He took the limited resources of his day and unwound them into limitless possibilities. Anything magnetic tape did, he mastered. So into the basement I went to create my own world too. Within a few months I had amassed a dozen new songs and was forming a new band with my own new improved material.
Around this time, my friend Laura Gordon and I went to New York to see Les play, He was amazing, We sat in the front right in front of Les. When he got passed a request he couldn’t read he asked to borrow my glasses. Reeling from my prescription, he declared, “you need to get you eyes examined!” He told me afterward, “I bet you are a good guitar player.” He wrote on the nearest paper I could find “Vess, keep pickin’, Les” To this day the only autograph I have ever asked for. Afterwards, Laura and I stayed up all night dreaming of the new band we would form when we got home. It would be called United States Three as though it was a secret society. Laura would be our manager, I would write the songs, and we would call our fan base the Neighborhood Association. This one night started the better half of my musical life, a reverberation I still feel to this day.
I went to see Les again only a year later, I had two of his low impedance pickups in tow, he signed one of them and began to describe how to wire them, insisting that I must use the correct schematic. We talked for what seemed like at least 30 minutes about wiring guitars. I went home, tore apart my guitar and rewired it until I had my own sound.
I don’t play like Les, no one does, but he liberated me. His singular vision inspired me, and let me know that between those headphones is the world you create for yourself. Les, wherever you are, keep pickin’ and thank you. Vaya con dios."
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